We were thrilled that our work on the BBC’s Wolf Hall: The Mirror and the Light was featured in The Telegraph in December. Our VFX Supervisor David Dunn and VFX Producer Sam Dubery explained to India McTaggart how BlueBolt were entrusted with the meticulous digital enhancement of Henry VIII’s Hampton Court tapestries and Holbein’s portrait of Anne of Cleves - to restore them to how they would have looked in Tudor times.

BlueBolt’s Tiago Faria chats to VFX Wire about his latest projects - including the incredible True Detective: Night Country - and how he got started in the VFX industry.

Watch our breakdown and read about how BlueBolt delivered 126 VFX shots for Ridley Scott’s epic depiction of the rise and fall of Napoleon Bonaparte in Broadcast’s Post Production Uncovered.

BlueBolt VFX Supervisor David Scott reveals how the dramatic icy lake sequences were created in his interview with Trevor Hogg for VFX Voice.

Tamy sat down for an in-depth chat with PostPerspective’s Randi Altman, sharing what it takes to head up a great DMP team, her thoughts on AI, her passion for historical architecture (and gardening!), how she got started in VFX and of course, what she’s learned along the way.